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For Rosenfeld, who has produced protection for 8 World Cups and 5 Olympics, it will be like doing a game from an empty grassy field. The possibilities and potential pitfalls are endless." It's very dismaying that there are no fans. But then how do you take a negative and make it a favorable?" she asked.

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So what we're trying to do is say, 'OK, let's see what that's like.'" For the opener, a minimum of, it will resemble no other soccer broadcast in history. Rosenfeld and her 160-person team plan to use more than 20 video cameras, about double the number for a regular MLS broadcast.

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The strategy is to have the center referee use a microphone while others will be embedded in the turf near the center circle and close to both benches. About the only thing you will not see or hear is the sweat leaking from each gamer's eyebrow. But Rosenfeld is dealing with that." Our position is to be authentic to the experience," she stated.

You're going to hear when the goalie makes a save. Things that never get direct exposure since the crowd is drowning it out. My hope is it will feel immersive." The all-access experience isn't inexpensive. Although ESPN and MLS, which is responsible for much of the upfront costs, declined to discuss figures, the production cost for the tournament will probably have to do with $10 million.

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MLS Commissioner Don Garber, keeping in mind the competition's uncommon setting, has compared the games to a "studio show" in which the sights and sounds can mainly be controlled, just as they can on a Hollywood sound phase. And that's allowed the league and its broadcast partners to forge ahead. "Our fans, when they see how the games are produced, will be impressed with the technology and the idea that's entered into trying to check a handful of brand-new concepts," he stated.

There will be more access to audio and advertisement views. And we'll have the ability to utilize some innovation that we're explore in these broadcasts." The most imaginative aspect will be one that nobody at the games will be able to see. For  Another Point of View  at home, one side of the field will seem an animated arena with advertisements running along the edges while a virtual Jumbotron, likewise visible just on TELEVISION, will increase from behind both goals and occasionally at midfield.